Review: Paper Towns – John Green
"Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life—dressed like a ninja and summoning him for an ingenious campaign of revenge—he follows. After their all-nighter ends, and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues—and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees the girl he thought he knew." Goodreads
Okay, so it’s disgusting that I haven’t finished a book since December and I had the audacity to set my “book challenge” on Goodreads to read 24 books this year. I have since lowered this number because it’s not realistic considering it’s the middle of August. I’ve also been trying to avoid the trailer for the film as I’ve been reading this because let’s face it, all trailers for films these days giveaway the entire plot in three minutes. Onto the review!
Okay, so it’s disgusting that I haven’t finished a book since December and I had the audacity to set my “book challenge” on Goodreads to read 24 books this year. I have since lowered this number because it’s not realistic considering it’s the middle of August. I’ve also been trying to avoid the trailer for the film as I’ve been reading this because let’s face it, all trailers for films these days giveaway the entire plot in three minutes. Onto the review!
***SPOILERY***
Enough with the disclaimer, and moving onto the review. The more I think
about it, the more this entire book annoyed me. I mean, it is classic John
Green, firstly. It has the clichéd quirky character, whether that be the
protagonist/narrator or the secondary characters, they’re there, looking at the
world differently to everyone else. In Paper Towns, this character came in the
form of Margo Roth Spiegelman—who the narrator full-name’s her
every.single.time. he coo’s over her. One word: annoying. Anyway, another
classic John Green element was the going on an adventure,
something-out-the-norm kinda storyline (hello, Looking for Alaska, he ‘looks’
for Alaska in his own John Green way; and hello, the Fault in Our Stars, Gus
and Grace go looking for this author they built up in their minds). As I read,
I was getting more bored. I’ve read your books before, John Green, I don’t need
to read them again.
More on the same John Green-isms. Part
three: The Vessel. Counting down the hours until Q, Ben, Radar and Lacey
find Margo (Roth Spiegelman). Counting down every
hour. This all seems similar… ah yes, Looking for Alaska, where the book is separated
into two: before and after the death of Alaska Young, and the days that follow
after her car accident. Then there’s the comparison’s to the Fault in Our Stars
whereby Grace visits Van Houten, her favourite author in the entire world, but
when she does, she realises she just built up this idea of a man in her mind
and he was a complete and utter disappointment to her. This rings bells to me
because this is exactly what happened to Q with Margo. He goes searching for
her with this idea that they’ll (essentially) run into the sunset together once
he “rescues” her—y’know, despite (essentially) ignoring him for all these years
at school since the age of ten. I’m listing these isms in terms of the order
that I read his books. I read Looking for Alaska, the Fault in Our Stars, and
obviously, Paper Towns which is why, I guess, it’s easy to draw these parallels
between his books. They weren’t actually published in this order which is why I’m
finding it hard to figure out how Paper Towns is Looking for Alaska and the Fault
in Our Stars smushed together with all of his isms and parallels.
One further thing that, toward the end, really got to me, was the idea of loving Margo (Roth Spiegelman)
then her turning out to be a monumental disappointment—well, she somewhat redeemed
herself, but not entirely. So Q and Margo (Roth Spiegelman) spend the night
together pranking people from their school that have wronged her and then she
takes off. There are clues left behind—stereotypically whenever she has taken
off in the past—and so Q takes it upon himself, having made this deep connection with her on the night of
the pranks, to find these clues (once she’s been gone longer than usual) that
she’s left behind in order to track her down and bring her home. Okay, so it
drives the story to find these clues and we learn about Q’s life and his
friends. They seem all right, but back to the Q-Margo (Roth Spiegelman) thread,
he skips his graduation and gets
involved in a collision just to save
this girl, who, again, didn’t pay much attention to him except for one night
where she used him as a taxi driver. This doesn’t sit right with me. Like, it’s
not…believable. A direct quote, if you will; “Radar has looked up the side panel
replacement I’ll need: $300 plus paint. The cost of this trip keeps going up,
but … it’s a small ransom to pay for Margo.” Another, several pages down: “this
girl who was an idea that I loved … I realise that the idea is not only wrong
but dangerous. What a treacherous thing it is to believe that a person is more
than a person.” If that’s not all doe-eyed and dumb then I’m checking out.
Don’t get me wrong, I think this is a good read in terms of structure,
characterisation(ish) and the plot, great for a quick read and good for the YA audience,
but for me, I probably won’t read it again. Nor Looking for Alaska. The Fault
in Our Stars is slightly more special for me, so I’ll continue to read it over
again. All criticisms aside, I liked how it ended because, to me, it burst Q’s
bubble in that she was just a person and in reality, she wasn’t the person he
wanted her to be or thought she was. It grounded the story, in a way, I think,
but did so a little too late, i.e. on the very last few pages.



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